ANIMAVIENNA is a group of six independent art jewellers, whose work reflects their diversity. The individual members are unique in terms of their art and concepts. They share a common belief in artistic cooperation, exchange and endeavour, as well as a firm commitment to craftsmanship. MORE…
The very qualities that enable the members of the group to appreciate similar aspirations in others permit them to translate their own emotions and intuitions into a compelling and distinctive art form. The group is aware of the different traditions and factors at play in modern art jewellery and seeks to go beyond the confines of adornment.
The very essence of the group’s work is rooted in a quest for new forms of expression commensurate with the world in which we live and the realities of modern society. Art thus becomes a reflection of societal diversity. Akin to all other art forms, art jewellery reveals not only the current stage and continuity of its genesis, with all its fissions and fractures, but also the utopias to which it aspires.
Independent of fashionable trends and art movements, ANIMAVIENNA focuses on the basic concept of jewellery and the pleasure it affords. The manner in which the members design and develop their jewellery is clearly shaped by their personalities as artists and each contains a personal message. All the members bring their special skills to bear and the whole is greater than the sum of its parts.
In a globalised world that makes ever-increasing demands of the individual, the significance of creative artists as transmitters of cultural values in their encounters with people of the most diverse origins, with different approaches to life and life styles, cannot be overstated. Given its body-related individuality, this holds particularly true for art jewellery.
LESS…
Exhibitions
In 2008 five founding members of the group, Petr Dvorak, Jacqueline I. Lillie, Gerti Machacek and Florian Wagner, began holding collective shows in varying formats. Bao Toan Puls joined the group in 2011, followed by Jura Golub two years later.
| 2016 | ANIMA at JOYA2016, Arts Santa Monica, Barcelona |
| 2015 | ANIMAVIENNA Soiree und Matinee, Galerie MANA, Vienna |
| 2015 | ANIMAVIENNA at OFF JOYA2015, Studio Jura Golub, Barcelona |
| 2014 | ANIMA at JOYA2014, Arts Santa Monica, Barcelona |
| Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna | |
| 2013 | Designpfad, Galerie MANA, Vienna OFF JOYA2013, Studio Jura Golub, Barcelona Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna |
| 2012 | Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna |
| 2011 | WHITE-9 Jewellery Standpoints, Studio LINIERT, Vienna Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna |
| 2010 | Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna and in Art Forum myart-flener, Vienna COMPENDIUM AUSTRIA, The Compendium Finale of Contemporary Jewellers, Art Forum myart-flener, Vienna |
| 2009 | Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna |
| 2008 | Die lange Nacht der Schmuckkunst, Galerie MANA, Vienna |
A BOX PROJECT
Earrings in 130 boxes
When new solutions are sought, those involved are invariably encouraged to ‘think outside the box’. It is commonly held that such an approach calls for a large measure of creativity and an unconventional mindset.
But what if the inverse is true? The jewellery artists attached to ANIMAVIENNA are convinced that ‘thinking inside the box’ calls for just as much creativity and unconventional thinking.
The group and twenty invitees will take up the challenge of designing earrings to fit inside a series of identical rectangular boxes – 130 in all – measuring l: 47 x w: 37 and h:19 mm [5 boxes per participating artist]. The participating artists are free to choose any material they like and there are no restrictions regarding the design. The sole conditions are that the pieces should (i) fit in the box and (ii) be wearable.
The ultimate goal: to come up with exciting pieces - despite the relatively small, standardised and uniformly dimensioned boxes. Each box is a project in itself – hence, the title: a box project.
Zurück
Back
JOYA 2014
Back
Back
Petr Dvorak
Jewellery is material design that requires the human element to prove its existence
| 1954 | Born in Cesky Krumlov, Czechoslovakia |
| 1969 | Apprenticeship as engraver |
| 1973 | Art college in Turnov with focus on jewellery design |
| 1976 | Jewellery designer in Prague |
| since 1980 | Jewellery designer resident in Vienna |
| 2011-2014 | Attended the Department of Gemstones and Jewellery of the Trier University of Applied Sciences in Idar-Oberstein, Germany, and graduated as Master of Fine Arts |
EXHIBITIONS
Participation in group shows in Austria, Belgium, Czechoslovakia, the Czech republic, France, Germany, Italy, Japan, Korea, the Netherlands, Poland, Russia, the Slovak Republic, Spain, Sweden, Czech republic, the United Kingdom and the United States.
| 1998 | Shortlisted for the 1st EU Award for Contemporary Art and Design-led Crafts |
| 1995 | Nominated for the Austrian State Prize for Craft Design |
| 1988 | Awarded fourth prize in the International Pearl Contest in Tokyo, Japan |
| 1977,1978 and 1980 | Awarded the CID Design Prize for Jewellery, Czechoslovakia |
ACQUISITIONS
Museum of Bohemian Paradise, Turnov, Czech Republic
Hejral Collection, Smržovka, Czech Republic
Museum of Glass and Jewellery, Jablonec nad Nisou, Czech Republic
Museum of Modern Art, Taragona, Spain
PUBLICATIONS
| 2012 | The Sourceposter of Contemporary Jewlery Design, Natalio Martín Arroyo, Harper Design Barcelona, New York, 2012.ISBN 978-0-06-210503-5 |
| 2009 | Glass in Czech Contemporary Jewelry „Lovers from Prague“ Czech Jewellery, World Jewellery Museum, Seoul, Korea. ISBN: 978-89-959851-4-4 93630 A.Lim, „The Compendium Finale of Contemporary Jewellers 2008“ Darling Publications, Cologne and New York |
| 2008 | Mezinárodní Trienále JABLONEC 2008 ISBN: 978-80-86397-08-5 |
| 2007 | 15 Silbertrienniale, Wertzeichen Goldschmiedehaus Hanau, Germany ISBN: 978-3-926011-47-3 |
| 2005 | Francios Bernard´s Gallery Neon „30 années lumiére“ 2005 “Cap d`art”, Genval, Belgium METALSMTH „Exhibition in Print“ Society of North American Goldsmiths, USA |
| 2002 | Fruits of Paradise Symposium in Turnov 2002. Czech Republic. Proměny: českého šperku na konci 20. století - Transformation: Czech jewellery at the end of the 20th century. [ISBN: 80-200-0920-5] Experiment Schmuck,1984-2002 Erfurt, Germany [ISBN: 3-9808816-0-1] |
| 2001 | „Gioielli a Bijoux“ 2000-2001 Instituto Geografico De Agostini S.p.A.Novara |
| 2000 | 9th Erfurter Symposium, Erfurt , Germany 2000 Gioielleria Contemporanea in Europa, Casino Venice „Turning Point“, Austrian Jewellery at the Turn of the Century [ISBN:3.9501168-O-X.AT] SCHMUCK 2000. International Crafts Fair, Munich [ISBN. 3-933363-05] |
| 1998 | 1st European Prize for Contemporary Art and Design-led Crafts, World Crafts Council, Europe Jewellery moves, National Museum of Scotland, Edinburgh, Scotland [ISBN: 1 901663 03 5] |
| 1997 | Czech Modern Jewellery in Stribro Schmuck aus Österreich, the Berchtold Villa, Salzburg, Austria |
| 1996 | „Schmuck aus Edelmetall”. Austrian State Prize 1996 |
| 1995 | State Prize for Craft Design, Austria |
| 1994 | Schmuck und Gerät Ausstellung, Goldschmiedehaus Hanau Germany |
| 1986 | 8. Europäische Silbertriennale ´86, Hanau, Germany |
petr@dvorakart.com
www.dvorakart.com
Jura Golub
In my work, I seek to present my concept of beauty and aesthetics, while maintaining my own specific artistic identity
Throughout my life I have always wanted to make jewellery
MORE…
Throughout my life I have always wanted to make jewellery:
a desire that I was able to fulfil at the Technical College for Metal Design in Krasnoe on the Volga where I graduated in 1987.
My first exhibitions were in the Soviet Union in such places as Moscow, Volvograd and Kostroma. On moving to Austria in 1990, I continued to show my work abroad: in Germany, the United States and Spain.
Since 2012 I have been living and working in Spain. Articles on my work have appeared in Kunsthandwerk (2002), while examples of my work have featured in New Rings (2011) and Art Jewelry Today: Europe (2014), as well as in a book for teachers entitled Maker Magic (2014).
EXHIBITIONS
| 2012 | Enjoia't Awards 2012, Barcelona, Spain [nomination] |
| 2009 | JOYA ‘09 Barcelona, Spain |
| 2005 | SOFA ’05, New York, USA |
| 2004 | BLUE, Mobilia Gallery, Cambridge, USA |
| 2002 | Schmuck’ 02, Munich, Germany |
| 2002 | Gallery Göttlicher, Krems, Austia |
| 2001 | SOFA’ 01, New York, USA |
juragolub@gmail.com
www.juragolub.hautetfort.com
www.etsy.com/shop/JuraGolub
www.facebook.com/pages/...
Jacqueline I. Lillie
Jewellery is both a reflection of our character and an expression of the period in which we live
The impact of a piece of jewellery should not be determined by the materials used, but by the care invested in its making and the emergent design.
MORE…
The impact of a piece of jewellery should not be determined by the materials used, but by the care invested in its making and the emergent design.
MORE…Contemporary jewellery must be more incisive and flexible than in the past. On that basis, I strive to design jewellery that both complements the ever-changing shifts in fashion and allows the wearer to adapt the piece to her heart’s content.
1941 Born in Marseille, France
1962 - 1965 Studied metal work under Professor Hagenauer at the Academy of Applied Arts, Vienna
ACQUISITIONS
Museum collections in the United States
Cooper-Hewitt Museum of Design, New York
Corning Museum of Glass, Corning, New York
Metropolitan Museum of Art, New York
Museum of Arts and Design, New York
Museum of Fine Arts, Boston, Massachusetts
Museum of Fine Arts, Houston, Texas
Racine Art Museum, Wisconsin
Toledo Museum of Art, Toledo, Ohio
Museum collections in Germany
Württemberg State Museum, Stuttgart
Museum collections in Australia
Powerhouse Museum, Sydney
National Gallery of Australia, Canberra
National Gallery of Australia, Canberra
Museum collections in Austria
Museum of Applied Arts/Contemporary Art (MAK), Vienna
Private collections in Austria
Asenbaum collection
Bollmann collection
Bollmann collection
SOLO EXHIBITIONS
| 1980 und 1983 | Galerie am Graben, Wien, Österreich |
| 1985 | Macquarie Galleries, Sydney, Australia |
| 1986 | Works Gallery, New York, USA |
| 1988 | Contemporary Jewellery Gallery, Sydney, Australia |
| 1988 | Merrin Gallery, New York, USA |
| 1990 | Anne O'Brien Gallery, Washington DC, USA |
| 1991 und 1993 | Galerie Slavik, Vienna, Austria |
| 1994 | The Hand and the Spirit, Scottsdale, Arizona, USA |
| 1994, 1997, 2001, 2005 and 2009 | Galerie Göttlicher, Krems-Stein, Austria |
| 1995 | Museum of Fine Arts, Santa Fe, New Mexico, USA |
| 1996 | Galerie Monika Kaesser, Vienna, Austria |
| 1998 | Musée des Arts décoratifs de Montréal, Montréal, Canada |
| 1998 | Galerie Tiller, Vienna, Austria |
| 2000, 2005, 2009, 2013 and 2015 | Anne Schofield Gallery, Sydney, Australia |
| 2000 and 2002 | Susan Cummins Gallery, Mill Valley, California, USA |
| 2000 | The Sybaris Gallery, Royal Oak, Michigan, USA |
| 2002 | Julie’s Artisan Gallery, New York, USA |
| 2006 | Sienna Gallery, Lennox, Massachusetts, USA |
Group exhibitions in numerous countries and extensive reports in various journals and publications
jacqueline.lillie@lilliemail.com
plillie@hotmail.com
www.abovogallery.com/ab...
www.siennapatti.com/p...
Gerti Machacek
My work is marked by the playful manner in which body and form are treated
At the same time I also work in different subject areas such as dance, movement, the art of folding such as origami and its application to metal, as well as nature and the environment.
MORE…
At the same time I also work in different subject areas such as dance, movement, the art of folding such as origami and its application to metal, as well as nature and the environment.
MORE…In my work I place emphasis on sculptural jewellery that can also serve as mementos or objects conducive to self-identification. By virtue of its portability and innate movement, jewellery permits shifts in perspective.
Gerti Machacek served her apprenticeship as a goldsmith with Hans Muliar and studied history of art at the University of Vienna.
Since1981 she has been working as a freelance artist and has participated in many national and international exhibitions, inter alia:
| 1987 | Europalia | Brussels, Belgium |
| 1993 | Neue Ringe | Museum Bellerive, Zurich, Switzerland |
| 2008 | New Play in Art Il Gioello Inaspettato | Giardino Botanico Heller, Italy |
| 2012 | Schmuck, Horn und Geweih - Jewellery | Galerie Slavik, Vienna |
| 2015 | Shadows - Schatten | Goldschmiedehaus Hanau, Germany |
Her most important publications are:
| Schmuck.Kunst am Körper Contemporary jewellery Art to wear | Edition Galerie Slavik [1999] |
| The Compendium Finale of Contemporary Jewellery 2008 | A.Lim, Darling Publications [2008] |
| Art Meets Jewellery | Arnoldsche Art Publishers [2010] |
| New Rings | Nicolas Estrada, Thames and Hudson Ltd. [2011] |
| Art Jewelry Today Europe | Catherine Mallette Schiffer Publishing [2014] |
In 1992 Gerti Machacek received an award, the Austrian State Prize for Craft Design, in acknowledgement of her work.
Works have been purchased by the Museum of Applied Arts / Contemporary Art, Vienna [MAK] and the Artothek – Art collection, Vienna, as well as by several private collectors.
Her work is on show and for sale at the Gallery Slavik and artup in Vienna, Austria, as well as at eckegalerie in Augsburg, Germany, and the Gallery ab Ovo in Todi, Italy.
gerti.machacek@atelier-machacek.at
atelier-machacek.at
Bao Toan Puls
Motivation, a story and the wish to lend it form. Leading to a new beginning: a dialogue between the object and the beholder
In the work of goldsmiths I discover many familiar features reminiscent of Chinese painting. The brushstrokes, the rhythm of the painting and the nuances of the ink are to be found in the design, execution and surface designs.
MORE…
In the work of goldsmiths I discover many familiar features reminiscent of Chinese painting. The brushstrokes, the rhythm of the painting and the nuances of the ink are to be found in the design, execution and surface designs.
MORE…| 2009-2011 | Completed goldsmith course, Vienna Academy for Goldsmiths, Austria |
| 1999-2009 | Studied Chinese painting under Docent Zhao Yu Sheng, Baden, Austria |
| 1970-1974 | Studied economics, University of Fribourg, Switzerland |
| 1951 | Born in Hanoi, Vietnam |
EXHIBITIONS
| 2015 | OFF JOYA 2015, Studio Jura Golub | Barcelona, Spain |
| 45th German Jewellery and Gemstone Prize | Idar-Oberstein, Germany | |
| 2014 | Galerie Menotti | Baden, Austria |
| JOYA 2014 | Arts Santa Monica, Barcelona, Spain | |
| 2013 | Jewellery in Concert | Galerie V&V, Vienna, Austria |
| Designpfad Déjà Vu | Galerie Mana, Vienna, Austria | |
| OFF JOYA 2013 | Studio Jura Golub, Barcelona, Spain | |
| 2011, 2012, 2013, 2014 | Winter Journey | Galerie Slavik, Vienna, Austria |
| 2011, 2012, 2013, 2014 | Die lange Nacht der Schmuckkunst | Galerie Mana, Vienna, Austria |
| 2011 | WHITE - 9 Jewellery Standpoints | Studio Liniert, Vienna, Austria |
office@baopuls.at
www.baopuls.at
Florian Wagner
Generosity, fantasy and erotic radiance are all features of jewellery
My jewellery lends an additional distinctive touch to female self-assurance - thus giving rise to a sense of well-being.
MORE…
>My jewellery lends an additional distinctive touch to female self-assurance - thus giving rise to a sense of well-being.
MORE…Why the fragments? Without a woman, the wearer and her beauty, my work would be fragmentary and incomplete.
Generosity, fantasy and erotic radiance are all intrinsic features of jewellery. Without the person wearing it, jewellery is incomplete. Regardless how often and whatever the occasion, only on the body does the cycle that usually begins with a sketch and the selection of material run its course. The creative process follows both the artistic ideas and the craftsmanship of the jeweller. It bears his imprint: that of an artist who in an eccentric manner blends luxury and aesthetics in precious materials. In a blaze of new ideas, art takes on a form of its own in Florian Wagner's exclusive modern art jewellery for individualists.
Born in Berlin, Florian Wagner came into contact with craftsmanship through his father, Hans Wagner, who had taken over from his father, August Wagner, the famous workshops for mosaics and stained glass. The mosaics in the Kaiser Wilhelm Memorial Church in Berlin stemmed from those workshops, as did the mosaics at the Union Terminal in Cincinnati and the frieze in the lobby of the Rockefeller Centre in New York, as well as the mosaics in the Golden Hall in Stockholm, to mention but a few
In 1969 Florian Wagner completed his apprenticeship as a goldsmith in Berlin. He left Europe and took up residence in Johannesburg in South Africa, where he stayed until 1973.
He was fascinated by the extraordinary range of minerals and gems in the southern hemisphere. Even today they have a major influence on his work.
Florian Wagner moved to Vienna in 1973. He studied at the Academy of Fine Arts and ten years later he established the Galerie Mana which, up until 1989, was an important forum for contemporary art.. The encounter with contemporary art and music inspired him to adopt an extensive design vocabulary, which manifest itself in his silverware, viz. his Teapot for Two (Silver Triennale 1991/92) and his participation in the exhibition Diagonal - Design from Austria during the Expo 1992.
In 1997 the austere and yet expressive aesthetic of Japanese art lent stimulus to a series entitled Exotic pieces of Jewellery. Based on that experience Florian Wagner's work underwent a shift: a return to a formal design language and materials that he had long neglected.
In 1998 Florian Wagner opened a shop in the centre of the city that he had to close seven years later when a new landlord changed the terms of the lease.
In 2006 he re-opened Galerie Mana where he put on exhibitions of his own work and set up a forum for his colleagues active in the field of art jewellery.
Each autumn, ever since 2011, the gallery has hosted an annual cycle of six house concerts known as The New House Concert, curated in partnership with Oscar Aichinger.
Over many, many years Florian Wagner has been fascinated by opals, agate and labradorite: in short, minerals beyond the fringes of the mainstream. They have formed the bedrock for the material orientation of his work. His design language has evolved in symbiosis with the women commissioning the pieces that are imbued with the mystic properties of the gemstones.
info@floschmuck.at
www.floschmuck.at
ANIMAVIENNA
Contact
ANIMAVIENNA auf Facebook
PETR DVORAK
petr@dvorakart.com
JURA GOLUB
juragolub@gmail.com
JACQUELINE I.LILLIE
jacqueline.lillie@lilliemail.com
GERTI MACHACEK
gerti.machacek@atelier-machacek.at
BAO TOAN PULS
office@baopuls.at
FLORIAN WAGNER
info@floschmuck.at
website
Chris Horny
Medieninhaber und Herausgeber:
Gerti Machacek
1080 Wien, Skodagasse 1
Tel. +43 1 402 30 47
Email: info@atelier-machacek.at
Für den Inhalt verantwortlich:
Gerti Machacek
§5 E-Commerce-Gesetz:
Gerti Machacek
1080 Wien, Skodagasse 1
Tel. +43 1 402 30 47
Email: info@atelier-machacek.at
UID: ATU 3735730
Disclaimer:
Inhalt des Onlineangebotes
Die Autoren übernehmen keinerlei Gewähr für die Aktualität, Richtigkeit und Vollständigkeit der bereitgestellten Informationen auf unserer Website. Haftungsansprüche gegen die Autoren, welche sich auf Schäden materieller oder ideeller Art beziehen, die durch die Nutzung oder Nichtnutzung der dargebotenen Informationen bzw. durch die Nutzung fehlerhafter und unvollständiger Informationen verursacht wurden, sind grundsätzlich ausgeschlossen, sofern seitens der Autoren kein nachweislich vorsätzliches oder grob fahrlässiges Verschulden vorliegt.
Alle Angebote sind freibleibend und unverbindlich. Die Autoren behalten es sich ausdrücklich vor, Teile der Seiten oder das gesamte Angebot ohne gesonderte Ankündigung zu verändern, zu ergänzen, zu löschen oder die Veröffentlichung zeitweise oder endgültig einzustellen.
Verweise und Links
Bei direkten oder indirekten Verweisen auf fremde Webseiten (“Hyperlinks”), die außerhalb des Verantwortungsbereiches des Autors liegen, würde eine Haftungsverpflichtung ausschließlich in dem Fall in Kraft treten, in dem die Autoren von den Inhalten Kenntnis haben und es ihnen technisch möglich und zumutbar wäre, die Nutzung im Falle rechtswidriger Inhalte zu verhindern.
Die Autoren erklären hiermit ausdrücklich, dass zum Zeitpunkt der Linksetzung keine illegalen Inhalte auf den zu verlinkenden Seiten erkennbar waren. Auf die aktuelle und zukünftige Gestaltung, die Inhalte oder die Urheberschaft der verlinkten/verknüpften Seiten haben die Autoren keinerlei Einfluss. Deshalb distanzieren sie sich hiermit ausdrücklich von allen Inhalten aller verlinkten /verknüpften Seiten, die nach der Linksetzung verändert wurden. Diese Feststellung gilt für alle innerhalb des eigenen Internetangebotes gesetzten Links und Verweise sowie für Fremdeinträge in von denAutoren eingerichteten Gästebüchern, Diskussionsforen, Linkverzeichnissen, Mailinglisten und in allen anderen Formen von Datenbanken, auf deren Inhalt externe Schreibzugriffe möglich sind. Für illegale, fehlerhafte oder unvollständige Inhalte und insbesondere für Schäden, die aus der Nutzung oder Nichtnutzung solcherart dargebotener Informationen entstehen, haftet allein der Anbieter der Seite, auf welche verwiesen wurde, nicht derjenige, der über Links auf die jeweilige Veröffentlichung lediglich verweist.
Urheber- und Kennzeichenrecht
Die Autoren sind bestrebt, in allen Publikationen die Urheberrechte der verwendeten Bilder, Grafiken, Tondokumente, Videosequenzen und Texte zu beachten, von ihnen selbst erstellte Bilder, Grafiken, Tondokumente, Videosequenzen und Texte zu nutzen oder auf lizenzfreie Grafiken, Tondokumente, Videosequenzen und Texte zurückzugreifen.
Alle innerhalb des Internetangebotes genannten und ggf. durch Dritte geschützten Marken- und Warenzeichen unterliegen uneingeschränkt den Bestimmungen des jeweils gültigen Kennzeichenrechts und den Besitzrechten der jeweiligen eingetragenen Eigentümer. Allein aufgrund der bloßen Nennung ist nicht der Schluss zu ziehen, dass Markenzeichen nicht durch Rechte Dritter geschützt sind!
Das Copyright für veröffentlichte, von den Autoren selbst erstellte Objekte bleibt allein bei den Autoren der Seiten. Eine Vervielfältigung oder Verwendung solcher Grafiken, Tondokumente, Videosequenzen und Texte in anderen elektronischen oder gedruckten Publikationen ist ohne ausdrückliche Zustimmung des Autors nicht gestattet.
Datenschutz
Sofern innerhalb des Internetangebotes die Möglichkeit zur Eingabe persönlicher oder geschäftlicher Daten (Emailadressen, Namen, Anschriften) besteht, so erfolgt die Preisgabe dieser Daten seitens des Nutzers auf ausdrücklich freiwilliger Basis. Die Inanspruchnahme und Bezahlung aller angebotenen Dienste ist – soweit technisch möglich und zumutbar – auch ohne Angabe solcher Daten bzw. unter Angabe anonymisierter Daten oder eines Pseudonyms gestattet. Die Nutzung der im Rahmen des Impressums oder vergleichbarer Angaben veröffentlichten Kontaktdaten wie Postanschriften, Telefon- und Faxnummern sowie Emailadressen durch Dritte zur Übersendung von nicht ausdrücklich angeforderten Informationen ist nicht gestattet. Rechtliche Schritte gegen die Versender von sogenannten Spam-Mails bei Verstössen gegen dieses Verbot sind ausdrücklich vorbehalten.
TOP